Der Verlag Links Buchhandlungen Medien-Download Kontakt

NEUERSCHEINUNGEN

IN VORBEREITUNG

AUTOREN

DAS PROGRAMM

Theater

Film

Literatur

Krimi

Hörbuch/Video/DVD

SONDERANGEBOTE


SUCHE
WARENKORB
NEWSLETTER/
PROSPEKT ANFORDERN




Raw Material

Alexander Verlag Berlin
ISBN:

0.00 €



mehr zu Jörg Fauser (Autor)

This page was created as a tool for literary agents and foreign publishers interested in working with Alexander Verlag Berlin.

The translation rights for Rohstoff are still available for all languages.

The German paperback rights were sold to Diogenes Verlag in Zurich. They will publish all nine volumes of the Fauser-Edition in 2009 in their mass paperback series.


About the author

Jörg Fauser (1944–1987) was a German writer, poet and journalist. In the late 1967 he went to live in the notorious junkies colony in Tophane, Istanbul. A year later he returned to Germany and became involved with the student movement living in a Berlin commune and then in an occupied house in Frankfurt. Having broken his dependency on heroin at the age of thirty he spent much of the rest of his working life dependent on alcohol. Fauser died on the night of his 43rd birthday, run over by a truck on a German highway.

Jörg Fauser is one of the most significant writers of the 1968-generation. He adored and was very much influenced by Anglo-American Literature (Raymond Chandler, Dashiell Hammet, William S. Burroughs, Charles Bukowski, Alain Ginsberg, Jack Kerouac, Eric Ambler, Graham Greene). He is seen by many contemporary German writers (Jakob Arjouni, Feridun Zaimoglu, Helmut Krausser, Maxim Biller) as an unsurpassable model.

Fauser introduced a new American "touch" in German prose, lyric and essay, in order to offer an alternative to what he saw as the well-meaning, overly optimistic literature predominating in West Germany. In the 80s he made a breakthrough with novels and crime stories, but he also did editorial work for several magazines, wrote columns, radio plays, songs and reports about crime and politics, refusing any kind of separation between "high" and "popular" literature. His writings are populated by dealers, crooks, alcoholics, junkies, whores (remaining true to his claim: »When literature does not stay with the downtrodden, it may as well be considered as rent a party service«), described with incorruptible glance, but his texts are also exact and scrutinizing documents of West German reality.

Rohstoff (1984) - Raw Material

Jörg Fauser as an observer of his life and his times: junkie in Istanbul, communard in Berlin, squatter in Frankfurt, even if he never really was part of the "movement". Rohstoff is a melancholic, angry, rough and disillusioned portrait of a generation after 1968 in Germany (and elsewhere), but also the account of his unresting and voracious efforts to establish himself as a writer.


PRESS

»One of the best German novels of all. Why has this book not been available for so long? Incomprehensible. Anyways, now Rohstoff is here again. At last.« Frankfurter Allgemeine Zeitung

»Rohstoff is Fauser's best and everlasting book.« Die Zeit



NEWS:

Das aktuelle Gesamtverzeichnis als PDF
Das aktuelle Gesamtverzeichnis (Oktober 2008) als PDF finden Sie . Auf Wunsch senden wir Ihnen auch gerne ein (...)
mehr
 
Alexander Wewerka im Gespräch mit Petra Castell
Einen Mitschnitt als mp3 finden Sie (...)
mehr
 
Die Frühjahrs-Vorschau 2009 jetzt als PDF online!
Die aktuelle Vorschau mit den neuen Titeln des Frühjahrs 2009 finden Sie (...)
mehr
 
Jörg Fausers DER STRAND DER STÄDTE kann erscheinen!
Der letzte Band der Jörg–Fauser–Edition (Der Strand der Städte. Die gesamten journalistischen Arbeiten (...)
mehr
 
TERMINE:

TheaterFilmFestival 66+25
29.11.2008-11.04.2009
Zum 25jährigen Jubiläum des Alexander Verlag Berlin präsentiert das Kino eine Programmreihe, die sich an den (...)
mehr

Grotowski-Jahr 2009
01.01.2009-31.12.2009
Mit Unterstützung der Unesco ist 2009 zum "JerzyGrotowskiJahr" ausgerufen worden: 1959 gründete (...)
mehr

Zum 80. Geburtstag von Heiner Müller
10.01.2009
Programmhinweis: 3sat 20.15 Uhr : „Ich will nicht wissen, wer ich bin“ (...)
mehr